Thankfully, I woke up this morning only hearing the music of this infectious electro duo, because the following video is effing creepy. It uses stock commercial footage (you can almost hear an ad for some pharmaceutical, or Tampax, or a car rental company just by watching) and very subtle “enhancements” that pretty much make these mopes into hellspawn.

Which is to say, it’s still a pretty good video.

Had this song stuck in my head when I woke up this morning. The Grey Album remains solid six years on – a testament to Dangermouse’s talents. I think it would be easy to mess up a Jay/Beatles mashup, and I’ve maintained that this version is better than the beats on The Black Album.

Anyway, here’s the tune (no official video).

Constituent parts after the jump.

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(editor’s note: I couldn’t find the original video, if it exists. There are a host of fan-created ones such as this. It’s the music that matters.)

As usual, an oldie but a goodie. Probably inspired by an idiotic decision to spend some time playing Call of Duty: Modern Warfare, which is essentially one long, interactive, game version of that leaked video of US helicopter pilots murdering journalists and civilians. The sequel, which has been one of the best-selling media properties ever, apparently has a section where you take on the role of a terrorist and murder civilians in an airport.I mean, I get it that it’s a sick, violent world out there and that we’re all partly responsible by allowing it to happen, but sheesh!

The insidious part for me (and the reason I say it was an idiotic decision), is how bloody addictive this and the other Call of Duty games are, and not to note that it’s extremely fun to play would be remiss. The originals were set in World War II, and while many people feel little remorse for killing lots and lots of Nazis, a game, even one that’s fictionalized, set in a modern war with middle eastern terrorists is just a little too close for comfort. It really is stuff like this (masterfully, artfully created) game that programs our perceptions of violent conflict.

This one’s not hard to trace. I went to karaoke last night (it was crazy expensive – $9 beers anyone?) and attempted to sing Kanye West’s “Gold Digger“. Although I thought I knew the lyrics, the delivery is actually really hard. Say what you will about Kanye, but his style is hard to emulate. Also, it was pouring rain, so it made me think of flooding, and then probably the disaster that was New Orleans during and after Hurricane Katrina. In the wake of that tragedy, during a benefit fundraiser, Kanye, in one of his first outbursts, said on live television: “George Bush doesn’t care about black people.” Hence, the inspiration for this amazing song.

(Editor’s note: I’m not sure if this is the original video, but it’s the only one I could find.)

A local hero who has been blowing up the LAirwaves. Great stuff, buy the album.

Here’s a video for the lead single, Maybe So, Maybe No. It features a bunch of iconic LA spots, from Venice Beach to the Santa Monica skate park to Crane’s Tavern in Hollywood.

The newest frontier of wordplay. I can’t quite figure out which beat (got it – Exhibit C – thank you KCRW playlists!) was on repeat upstairs when the alarm went off, but that might have to do with the fact that I was having a dream about zombies (I totally hit snooze and jumped back into the fray). So I’ll post two videos. The first is a teaser for his first big single, titled Exhibit A:

Listen to the full song here.

The second track, called Dimethyltryptamine, is a heavy hitter, politically and visually. Be warned there is some disturbing imagery.

Hmm, for some reason the song playing on repeat in my head this a.m., called “Slow Down” by the lounge-hop group Morcheeba, seems to be sending me the wrong message. 2010 is the year I want to kick ass, and that’s making me think it’ll go fast. But it’s a good message any other day I guess.

And pretty nicely edited, as well. See the original post here for links to all the original videos. Favorites?